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The Representation of Women and Celebrities in Indian Society and Cinema from palad's blog

Let's take a concise consider the context of women and sexuality in the Indian society. The view on women in India is among extreme contradictions. They can be famous celebrities with huge popularity, but at once be treated differently then men. This because even the contemporary image of feamales in India is largely specialized in the (in my estimation outdated) religious resources of the Hinduism. A few of these sources compare women to'sudra': the cheapest Hindu caste. Other Hinduism sources show a totally other view on women and are uplifting them to'goddesses '. This caused a strong distinction concerning the view on women and sexuality in India, namely involving the moral and the immoral woman. The moral and'good'woman is married, totally subservient and is giving her husband a lifetime of service without meeting any other men. In Indian society, the participation with this'good'woman in the sexual act is passive and exclusively to generate (preferably male) posterity. The immoral and the'bad'women is nothing of the; she's a subject of male pleasure, she's purely there to'sell'sex. As Shoma Chatterji highlights in'The Evolution of Representing Female Sexuality in Hindi Cinema 1991-2010' (2013) the contradiction in the perception of feamales in India is that on one hand the ladies are positioned on the elevated platform of a goddess, and on another hand treated as a reproductive'machine'or a object of male pleasure.

The classic representation of women's sexuality and femininity in mainstream Indian cinema is strongly linked to the Indian society. To begin with, the narratives in Indian cinema have already been dominated by men. The flicks are truly'male centric '; the themes are explored from the male audience's point of view. Women are inferior and dependent towards the male characters, and their journey throughout the film is explored in relation to the male hero. Just like the view on women in the Indian society as discussed before, there is an dichotomy visible in the classic depiction of female characters in mainstream Indian cinema. The very first sort of female character is representing the'good'and the'chaste'woman, most often by a wife or a mother. The other type of female character is from one other extreme: a'bad'and'unchaste'woman, frequently represented by prostitutes and mistresses. Between both of these, there's nothing. The sexuality of women when it comes to a natural expression of sexuality, as a desire and a pleasure have now been historically ignored in Indian cinema. The Indian mainstream cinema is male centric, and sexuality of a lady gets directly linked with being fully a subject of the male gaze and desire. The exact same can be said of female celebrities in India, compared to male celebrities. They are equally popular, in different ways.

Primarily because of globalization the representation of women and sexuality are undergoing a rapid change in commercial Indian cinema. But even when the representation of the women is nowadays frequently depicted in more a simple way, the ladies remain most often influenced by the men. Based on Shoma Chatterji Indian mainstream films are even nowadays portraying feminine sexual desire never with no punitive end or without negative implications by showing the woman as an'evil'character.

teste IPTV

Dev D is a contemporary interpretation of Devdas, the 1917 novel which got depicted a lot of times through the history of Indian cinema. Despite the fact that Dev D is cinematographically very modern in comparison to other Indian films, the movie also treats women and their sexuality in a different way. This makes Dev D one of the very most interesting films to see as it testifies to changes currently taking devote Indian society.

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