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If you've ever been to or gamed at a web-based casino you've probably been presented a welcome bonus in the casino's homepage. You might have thought about questions for example "Why would they provide me free money?", "What's the issue?" and "Should I go ahead and take bonus offered?"


In everyday life we're often skeptical about stuff that can be found free of charge and try to believe that there's a secret agenda. The internet casinos giving such perks do indeed come with an agenda which would be to attract you to their casino having a great welcome bonus deal, check out their online games, ideally be having a blast and be a lasting user of the program.


For most of internet casinos the casino reward provides a loss leader, the casino does not actually earn money about the first bonus, but provides the totally free money in anticipation how the player will love the casino and therefore play in the casino over and over. In the casino operator's viewpoint this can be a mutually advantageous deal even though the ball player gets an incentive initially the casino advantages of using a potential long-term client.


So you now realize why the casino gives you totally free money, in the event you drive them on their offer? The karamba bonus reply is it depends. It depends upon what kind of casino and exactly which bonus is within question. An essential aspect to each casino bonus may be the conditions and terms enforced through the casino. These kinds of conditions and terms will often feature all the following:


- Turn Requirement - This is the way often you have to take part in the bonus sum before you withdraw the bonus and/or your personal deposited funds.


- Bonus Match Percentage - This is actually the amount that'll be given like a bonus in your initial deposit. Whether it claims a 100% Bonus Match, this could mean should you deposited 100 euros you have access to 100 euros absolutely free.


- Restricted Countries - Casinos frequently restrict countries they consider especially abusive of their bonus offerings and don't permit them to go ahead and take bonus or force a more stringent turn requirement.


- Withdrawable or Non Withdrawable - bonuses may either be withdrawn when a turn requirement is achieved or simply the earnings produced from the bonus could be withdrawn.


- Games permitted to try to be able to withdraw the bonus/winnings - Several safe games are often not allowed for example roulette or blackjack.


To some newbie an online casino's bonus conditions and terms could appear severe so that as a brand new player you may think 'why would I even desire a bonus?' Luckily some bonuses are superior to other folks and because the conditions and terms vary a great deal between different online casinos it's a excellent concept to make use of a completely independent casino bonus review website to locate which bonuses work best for that player.


The player can have the casino has been not fair and resent the inability to withdraw their cash because of bonus circumstances. Even so, in the casino owner's perspective they need to try to avoid what's termed as "bonus abusers" or "bonus scalpers" to do this they need to result in the conditions and terms rigid. Casino bonuses have advanced a great deal through the years and they've become very complex for that beginner to have their brains around the regulations as well as an introductory excellent offer are now able to seem to be truthfully a problem.


Luckily for us there are lots of great trustworthy casinos that provide casino bonuses with reasonable conditions and terms which are ideal for the ball player. It's really a small headache to choose the offers and bonuses which are really worth getting so a great casino bonus information is really a blessing to anybody desperate to check out a brand new internet casino bonus offer. The more knowledgeable casino player can continue to take advantage of an online casino bonus review website once they choose to shift using their typical casino to a different casino and drive them on their initial offer.


In the greatest internet casinos they provide more advantages than simply a welcome bonus provided on register. They'll equally walk out their way for you to make sure the player has normal rewards and special offers to help keep them amused and satisfied. Numerous fantastic casinos have high-roller deposit bonuses, so if you're a large player and prefer to splash out in a casino they'll deal with you exactly like movie stars and be sure you possess an incredible gaming adventure. Additional purports to consider include things like refer a buddy marketing promotions that you obtain a commission for every friend you invite towards the casino and comp points,that is a reward structure a little just like a tesco club membership that accumulates points you should use as credit to experience later on.


Therefore, before you even join a web-based casino make sure to take a look at an established casino bonus tutorial which means you know precisely the best idea casino to spend time playing at and the bonus offers are the very best to consider. It can save you yourself the trouble to do all of the effort and homework and you'll get right to the great casino bonus offers and steer clear of all of the rubbish.

Website development has now become necessary for every business having a website. Website development can be worked out in-house or be outsourced to a website development firm. The former alternative is applicable to those firms that are offering website development services but never feasible for others. Most of the businesses prefer to outsource the work of website development. Some of the main factors influencing this trend are as follows.


In the virtual world of internet the technology is evolving very fast. It does not take longer for a technology or a strategy to become old and even obsolete. In those sorts of turbulent situations when changes are abrupt mastering the technology and strategies is not easy. It is nearly impossible to master the technologies over night. Even if the business owner or management decides not to outsource the work they have to either setup a different IT department or train the current employees of this. This could involve a lot of expenses and even waste of time.


On the other hand the professional website development agencies are adept at technology. They know the Custom website design recent technology and strategies used to make a website successful.


When the web development work is outsourced, the approach of the agency is going to have a professional approach to it. Whereas, when the work is done in-house by the company employees there are chances of unprofessional attitude. When the work is outsourced the business is sure to get the work of web development done in a stipulated time with assured results. This is hardly possible when the operation is carried out in-house.


When the work is outsourced, it is the responsibility of the company to keep abreast with the changes and make the website a success venture. In this situation the business has enough time to devote to the current operations. Out sourcing saves time, money and leads to optimum use of resources at disposal.


The only negative aspect is that one has to make sure that the website development firm has enough experience to make your website successful. The employees of the company need to be technically sound. Rather than blindly trusting the words of web development service provider, you should make sure that the claims made by corporation are genuine. The website of the website developer can give you an idea about how good is the quality of the service provided by that firm. It is always recommended that before placing the order you have a talk with the earlier clients of that service provider.


A bit of street smartness can lead you to outsource the website development work to a genuine professional and expert web development service provider.


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When the economy started tanking in 2008, it wasn't just homeowners that were put out on the street. Journalists were too, by the thousands.


Michael Mandel estimated on Bloomberg Business Week in September 2011 that roughly 20,000 journalists were lost in just one year. That's around a 20% loss across the board. A fifth of the workforce, gone just like that.


Like many industries, journalists that survived cutbacks at television stations, radio stations and newspapers were left to pick up the slack of lost colleagues. The news cycle and story count wasn't going to suffer because of the dramatic drop in budgets and work force.


With less staffing in most newsrooms across the country, a great need developed for new technology and delivery platforms that could counter-act the problems of deep staff and financial cuts.


Fast forward to today...


THE DRIVING FORCE OF NEW MEDIA DELIVERY: YOU!


That's right, as big as media is today, there is still an audience news organizations pay attention too. In the past five years media platforms have grown from traditional delivery https://todaytopnewslive.com/netflix/coming-soon-to-netflix/ methods like television, radio and newspaper to internet, RSS news feeds, social media and blogs.


The proliferation of media into new platforms was driven by the habits of watchers, listeners and readers. The media's audience no longer needs to watch at a certain time or buy a newspaper. They get what they want when they want it in just a couple of minutes from a laptop, tablet or mobile device. Online delivery gives newsrooms a global audience and the ability to increase advertising revenue from the constant demand of online content. The faster the news, the more virally it can spread.


Everyone wins, right?


HOW OUR NEWS IS CHANGING


New media platforms are speeding up the delivery of news at an unprecedented rate. In an "I gotta have it and I need it now" age, media organizations today can publish news to its audience in not just minutes, but seconds.


Subscribers to various news wire services can turn 1000 words of wire copy into a compact 250 word article and post it almost instantly. To do this, media doesn't have to make a phone call, perform a background check or even make sure the story was properly vetted.


Updates or "teases" to coverage on Twitter and Facebook can be posted in seconds and can be very powerful statements framing the context of the story a reader or watcher is following.


Finally, many media organizations today allow viewers to send in pictures and video of stories they may come across. This kind of mobile technology has opened the door to stories none of us may have ever heard about.


The speed of news today is convenient and powerful, but it also has drawbacks.


THE PROBLEM


As news delivery changes, more and more reporters are relying on other news and police reports to quickly "source" the information they publish to get it out. The ethical process of reporting a story is already tarnished by this stage. Here's why:


FIRST: Police and Government generally aren't subject to libel or defamation actions. Police reports carry a lot of power in media and in some organizations, at least initially, are not questioned.


NEXT: Media can take a police report and site it as "fact" without legally needing to contact the subject of the story to get their side. As long as the information published comes from a police report and is properly attributed, media is generally protected from libel and defamation.


MEDIA ON MEDIA: When one media organization sites another media organization's information, they most likely never took time to look into the story or the particular element on its own (the reason they site/attribute another entity or one they aren't partnered with).


THE RUB: Media organizations usually have legal departments or attorney's on-call year-round ready to protect the company from lawsuits. Some media even carry insurance that covers them in the event of a lawsuit. Even if an irresponsible media organization loses a libel or defamation case the chances are almost 100% the ruling would be reversed on appeal. The majority of case-law from Appellate Courts to The Supreme Court overturns cases on the basis of free speech under The First Amendment.


CONSEQUENCE: For people on the receiving end of false allegations published by media based on a police report, it is almost impossible to get vindication because of how expensive and lengthy a libel or defamation lawsuit can be. Further, it is very hard for the "little people" to ever get equal media coverage when they are found not guilty, charges are reduced or dropped altogether.


Winston Charles Arbitration Magazine is a website inspiring ethics, justice and accountability. In an article called "Innocent Until Proven Guilty" Winston Charles writes, "a reputable journalist should report only what he/she can prove and nothing else because it is easy to do serious damage to a person's personal reputation".


It would take months to identify the number of court cases and people impacted by unethical and one-sided journalism. Even after acquittal or a case being thrown out, the subjects of unethical coverage still walk away with significant personal damage. Some would argue they may have got away with a serious crime and their punishment should be personal damage. Looking specifically at unethical media coverage, one can't ignore how irresponsible journalism inaccurately and unfairly creates false public opinion in the first place.


THE GOOD NEWS


There are still financially stable and ethical news organizations out there. I have been fortunate in my career as a journalist to work with some of the best in the business. Not all working journalists are as lucky as I have been in having good guides that provide ongoing training and insight into ethical issues. The first step to fixing a problem is making people aware of it. It is my hope through articles like this and other media dedicated to high standards of ethics and compassion in what they do, to start setting an example that audiences will appreciate and start to expect. The bigger the problem becomes, the harder it is to fix. YOU have a say though! Just like how your habits have changed media delivery platforms, your choice in what kind of news coverage you subscribe to will make media, big and small, pay attention.

This article is specifically aimed at video producers who are interested in getting the most out of their streaming video productions in terms of video and audio quality. It mainly involves the best working practices for ensuring that your streaming video wrestles well with that dastardly beast, the "compression monster", which wants to turn all your pristine video to digital mush.


I came from a background in professional video and media production in Perth, Western Australia, shooting TV commercials, independent film, corporate video, and much much more. With the advent of the internet, I became excited about the possibility of using it as a way of delivering quality streaming video advertising for businesses both in Perth and around the world. So I founded my current business, ONLINE AURA, and went into developing video specifically tailored for streaming. The problem was, although I was familiar with the theory of video compression, the most I'd ever Film streaming come up against this beast was at the level of VHS or DVD production, where it occasionally wrangled but never inflicted serious damage upon me. The reality of video streaming compression was a huge adjustment however, as I watched pin sharp images shredded into digital mud before my eyes, and heard glorious soaring music turned into a horrific sequence of farts and dying bumblebees.


Over the course of time, through experience of testing and producing many streaming videos for local clients, I learnt the best practices and techniques for shooting and editing streaming video. I won't say I've tamed the compression monster, because he still lurks over my shoulder on every shoot, but I will say that I've learnt how to keep him under control and make it through the video compression process with just a few scratches here and there. So this articles includes a number of tips and guides to help you battle this beast in your next streaming video production.


SHOOTING


1. Let there be Light - I'll start with the most obvious and what can be considered as one of the most crucial aspects in producing quality video streaming. I know there's a lot of things written about this recommending strongly-lit flat lighting (i.e - no shadows). The theory being that reducing contrast in your image means that it will compress more efficiently and you'll end up with a higher quality streaming image. This isn't quite right, as the human perception of "sharpness" relies on contrast differences, and even though a higher contrast image may in mathematical terms be less well compressed at a pixel by pixel level, it will create the illusion of being sharper to the viewer. Basically the rule for best quality is to provide a smooth ratio of contrast, and to favor large soft sources that don't over light what you're trying to shoot. Blasting light directly from your camera position over the entire scene is not going to produce favorable results in terms of streaming video quality. The best results come from soft directional sources, but there's also room for backlighting and other creative approaches.


You have to make allowances for the eventual compression, but that generally means keeping your image contrast within an acceptable ratio. Low light is obviously a problem, and night shooting can be difficult. Any grain is going to play havoc and awake the old compression monster, who will hungrily eat up every little vibrating pixel. You can use grain removing plug-ins, but they can have the effect of softening your image and will compress sometimes even worse. Crushing your black levels entirely can sometimes help, and de-saturating your image and adjusting midtones can also be useful. If you have to shoot in low-light on the street, try not too using the gain controls on your camera, and instead go for a low shutter (if your camera has it). Lower shutter speeds will generally compress better. For interview subjects in the studio, I generally use a soft key and a bit of a kicker or backlight, with just a little bit of frontal fill. For video compression I make sure the background is relatively static and defocused. Using green screen and replacing the background with a blurred still image or slowly moving blurred background works well, and keeping background colors muted helps compression.


2. Camera movement - Obviously a lot of fast camera movement is going to require higher rates of compression for streaming video. But different types of movement also have different effects. A smooth dolly shot will actually compress reasonably well but, interestingly enough, the same move-in or out using a zoom instead will not compress well, and generally zooms are to be avoided if possible. Hand-held images will tend to suffer greatly, unless they are stabilized later using a software plug-in such as Steadymove. Steadicam shots can work reasonably well if done well. Unfortunately most steadicam shots contain a bit of 'float' which, although barely perceptible to the average viewer, will not compress as well as a genuine dolly or track shot. Locked off shots will obviously compress best, though it is dependent on what's in front of the camera!


3. Motion in front - Certain things compress well, while certain other things compress poorly. Water and waves look beautiful and crystalline on DVD, but in the streaming video world they fall to pieces. They carry took much randomly moving fine detail. The same with leaves blowing on a tree in the wind. If you're shooting an interview or spot with someone in front of a tree with fine leaves on a windy day, you should consider moving them to take in a background with less motion. Obviously you want to have things moving in your camera frame to provide interest (that's the whole point of having video over a slide show), but think about how much of the frame is moving. If you can isolate your moving subject with a longer lens and have the background blur out, that will compress better and also appear sharper to your viewer. Because of the small screen size, when shooting people move in a bit tighter. Close ups can be most effective.

There is more to film making than most students appreciate. Although it's tempting to concentrate on the actual film making process, students must have a business brain too.


Unless they can make a commercial profit from their creativity, they will not be able to make any more films. Here are some top tips to consider when combining your love of films with business. If you are good at both marketing, and film making, then you will generate greater revenue.


BE CREATIVE


1) Always remember film making is about being creative.


WHO IS DOING THE MARKETING?


2) Marketing your film from the point of creativity is key here. If you can't explain to your friends and family, why they should go and see your film, then how will you expect the man or woman in the street too?.The marketing should be done involving everyone in your film. Getting everyone on board and singing from the same song sheet will improve profitability of your film.


YOUR PITCH


3) You must ensure the pitch you make Voir film to gain funding for your film includes a business plan which should have all the necessary ticked boxes, including:


a) Budget - what has been the cost to make the film? What's the projected profit?


b) Audience - what's your target market?


c) Genre and appeal of your film - Will it appeal?


You must be thinking about these, when pitching to a potential buyer, investor or distributor.


RETURN ON INVESTMENT


You need to think MONEY here. You need to understand how to maximise profits, in order to be able to reel in investors. They will be expecting a large slice of the profits, if they jump on board. Therefore, you need to be a good negotiator with people.


LONGEVITY


4) Can you produce products that will generate royalties? If your film is commercially viable, you will receive royalty cheques long after the film has hit the box office, so you have to think beyond the box office, and onto the smaller screen. Films like STAR WARS, have become big business for reasons other than just the film. Toys, T-Shirts, are all ways of making people return to watch the film, as well as attract new movie-watchers This marketing can help you produce new work.


CHOOSING WHAT GENRE SUITS YOU


5) As Martin Scorsese once said, he didn't go to film school to learn his art, he went to the movie theatre. His genre was the Italian American gangster genre, and he does it well. You should pick a genre that you enjoy, and work in perfecting your art there. once you have gained experience, you can then venture into other genres.


COSTS


Your costs should be much lower than what you expect to receive from sales. Low production budgets and low marketing costs are key.. Also, you should have multiple revenue streams so that you can generate greater profits.

As a lesbian woman it is increasingly frustrating to find a lesbian movie that is a movie featuring the lesbian lifestyle or one which features lesbians as it's main theme.


It's a Friday evening and you are planning a quiet night in with your partner. A good dinner and a movie reflecting your lifestyle is not too high an aspiration or at least it should not be.


But a visit to your local video rental or a quick search on the internet for lesbian movies unfortunately turns up a whole different type of movie. Not Movies for lesbians or movies about movies but adult material. Not exactly the plan


So why has the term lesbian movie become almost synonymous with the adult movie industry? Surely a lesbian movie is a movie about lesbian women and our lifestyle just like an Indian movie is about Indians and their lifestyle.


The problem actually may be partially contributed to by the gaping lack of good movies for lesbians in circulation. If you are lucky enough to visit a site that does list real lesbian movies i.e movies about the lesbian lifestyle, otherwise called 'lesbian interest' movies; you will find a short list of the same movies repeated over and over again.


This is not a reflection of how good these watch and download Asian Movies movies are, in fact the majority of the ones I have seen are low budget fare. No it is because that is all that is available in that market


It makes you wonder. If the 10% statistic is true and that means 10% of all women are lesbian; why is our lifestyle not more visible in the movie industry? Are there no lesbian movie makers or writers. Of course not. We are all too aware of the presence of lesbians in the performing arts.


Is there a lack of interest in these movies among the lesbian community. Again, I think not. The amount of discussions in the lesbian forums whenever a lesbian movie is released is just stupendous.


Or even when a character in a tv show has a minor lesbian encounter that is obliquely alluded to. The forums are buzzing, the blogs updated and lesbians everywhere rush to the tv show in a hope for more. And like a dangled carrot, the lesbian story is killed and there is a return to waiting for the next lesbian subplot in any show or film. No there definitely is a great market for lesbian interest movies.


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